I’m bored by posed nightlife photos. Club kids are ready to freeze for the camera at a split-second’s notice, and photographers seem generally happy with that. The result? A tradition of static, posed ‘street fashion’ shots. All well and good, but I’m much more interested in the unposed shot, taken before the reflex to ‘do the look’ kicks in. I want to catch the moment when our gaze first crosses, to snare that fleeting instant-between-people, before our relationship has been resolved as being between ‘photographer’ and ‘subject’, with the consequent spiral down into stereotypical role-play and performance that dynamic entails. …